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Creates some kind of life and death erotica, horrible and beautiful.

Erotica of exploitation, defiance and embarrassment, and sadness.

‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.

I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.

A young man with burning eyes (that’s the way it is, sometimes similes flares in your head, later it softens).

There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.‘As my work with natural subjects becomes more detailed, so my subjects become more assertive,’ the artist states.Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.

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